Journal Home Browse Issues Search Articles Submissions About the Journal Copyright Fixation Podcast Subscribe Volume 69 Select Volume... Volume 73 Volume 72 Volume 71 Volume 70 Volume 69 Volume 68 Volume 67 Volume 66 Volume 65 Volume 64 Volume 63 Volume 62 Volume 61 Volume 60 Volume 59 Volume 58 Volume 55 Volume 54 Volume 53 Volume 52 Volume 51 Volume 50 Volume 48 Volume 47 Volume 46 Volume 45 Volume 44 Volume 43 Volume 42 Volume 41 Volume 40 Volume 39 Volume 38 Volume 37 Volume 36 Volume 35 Volume 34 Volume 33 Volume 32 Volume 31 Volume 30 Volume 29 Volume 28 Volume 27 Volume 26 Volume 25 Volume 24 Volume 23 Volume 22 Volume 21 Volume 20 Volume 19 Volume 18 Volume 17 Volume 16 Volume 15 Volume 14 Volume 13 Volume 12 Volume 11 Volume 10 Volume 09 Volume 08 Volume 07 Volume 06 Volume 05 Volume 04 Volume 03 Volume 02 Volume 01 Issue 1 Select Issue... Download Volume Table of Contents Volume 69 (2022) Issue 69:1 — Special Symposium: Third Amendment to the Chinese Copyright Law Part I — Articles From the Desk of the Editor-in-Chief — Alfred C. Yen — p. v Preface — Peter K. Yu — p. 1 Third Amendment to the Chinese Copyright Law — Peter K. Yu — p. 5 The Status of the Object of Copyright: Research on the System of Works Protected by the Amended Chinese Copyright Law — Xiaoqing Feng & Lixian Cong — p. 27 The Audiovisual Works and Their Protection Under Chinese Copyright Law — Huaiwen He — p. 43 Challenges and Opportunities of China’s Copyright Collective Management in the New Era — Xiuqin Lin & Xuan Wang — p. 65 The Term of Protection for Photographic Works in 2020 Copyright Law: A Remark and the Proposal on Revision — Wang Qian — p. 79 The Copyright Limitations of the 2020 Copyright Law of China: A Satisfactory Compromise? — Tianxiang He — p. 107 Copyright Exceptions for Text and Data Mining in China: Inspiration from Transformative Use — (Jerry) Jie Hua — p. 123 Inconsistent Anti-Circumvention Legislation and Its Future in China: Towards a Harmonized and Balanced Approach — Lin Xie — p. 145 The Amendment of Copyright Administrative Enforcement in China — Huijia Xie & Liuxi Chen — p. 163 Formulating Copyright Damages in China — Jyh-An Lee — p. 185 Punitive Damages for Copyright Infringement in China: Interpretations, Issues and Solutions — Guangliang Zhang — p. 201 Part II — Administrative Developments — p. 213 Issue 69:2 — Recent Developments in Copyright: Annual Case Survey Part I — Recent Developments in Copyright “Recent Developments in Copyright”: Selected Annotated Cases — Thomas Kjellberg, Joelle Milov, Dasha Chestukhin, and associates — p. 219 Part II — Administrative Developments — p. 393 Issue 69:3 — Articles & Tribute Part I — Articles Tribute to Mary Beth Peters — Jeffrey E. Jacobson — p. vii The Art (History) of Bleistein — Rebecca Schoff Curtin — p. 395 A Copyright Ignored: Mark Twain, Mary Ann Cord, and the Meaning of Authorship — Timothy J. McFarlin — p. 421 Examining Copyright — Zvi S. Rosen — p. 481 Part II — Administrative Developments — p. 565 Abstract Volume 69 (2022) opens with a landmark symposium on the Third Amendment to the Chinese Copyright Law, guest-edited by Professor Peter K. Yu of Texas A&M University. Eleven international scholars examine the sweeping 2020 overhaul of China’s copyright regime — exploring revised protections for audiovisual and photographic works, the restructuring of collective management organizations, new limitations and exceptions (including text and data mining), anti-circumvention legislation, and dramatically expanded administrative enforcement and punitive damages provisions. The symposium constitutes the most comprehensive English-language analysis of the amendment available to the copyright bar. Issue 2 presents the annual “Recent Developments in Copyright” — a comprehensive survey of annotated cases covering the full span of U.S. copyright doctrine from the 2022 annual meeting, compiled by Thomas Kjellberg and associates at Cowan, Liebowitz & Latman. Issue 3 returns to scholarly articles, including a fresh art-historical reading of Bleistein v. Donaldson Lithographic Co., a provocative inquiry into whether Mark Twain may have infringed the common-law copyright of formerly enslaved storyteller Mary Ann Cord, and an institutional history of copyright examination at the U.S. Copyright Office. The volume closes with a tribute to former Register of Copyrights Mary Beth Peters. Related Content Video Mar 4, 2026 Is It Fair Use to Use Pirated Materials for AI Training? This panel will discuss the current controversy over whether the use of “pirated” datasets in training AI models overcome claims… CLE Credit AI & Copyright