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THE STEAMBOAT WILLIE SMOKESCREEN
Zvi Rosen Assistant Professor, Southern Illinois University School of Law.

In a previous article, Who Framed Mickey Mouse, I argued that The Walt Disney Company’s role in copyright term extension in 1998 – although real and substantial – has been seriously exaggerated by opponents of copyright term extension.1 In this shorter piece I wanted to explicate on a related point, whic...

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WELCOME TO THE MUSEUM OF LAWSUITS: AN IMAGINED TOUR OF ART CAUGHT IN LEGAL BATTLES

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TRIBUTE TO MICHAEL REMINGTON

Just as we were finishing Volume 72(1), we heard of Michael Remington’s passing. This Tribute first appeared at Copyright Alliance and is republished here with permission.

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2024 MEYER LECTURE: LOOKING FOR "THE PERSON WHO ACTUALLY PRESSES THE BUTTON": VOLITIONAL CONDUCT AND DIRECT COPYRIGHT LIABILITY
Robert Clarida Reitler Kailas & Rosenblatt LLP

Thirty years ago, a California district court required a copyright plaintiff to show “some element of volition or causation” as a basis for imposing direct liability on the operator of a website whose users had posted infringing content. Absent such a showing, the website operator was held not liable. This “volit...

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COPYRIGHT AND THE UNIVERSITY
Viva R. Moffat Professor of Law and co-Director, IP & Tech Law Program, University of Denver Sturm College of Law

Who owns the copyright in this Article? It turns out that this is a surprisingly difficult question to answer. I am the author – I wrote the words, I did the research, I collected and analyzed the data – but it is not clear that I am the “author” for copyright purposes and therefore the initial copyright owner. U...

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DIGITIZATION AND MUSIC COPYRIGHT REFORM IN TURKEY
Dave Fossum Assistant Professor of Musicology, School of Music, Dance and Theatre, Herberger Institute for Design and the Arts, Arizona State University

This article examines the intersection between the digitization of music distribution and the reform of the copyright regime in Turkey. Since an era of economic liberalization and trade agreements beginning in the 1980s, the Turkish state has sought to update its intellectual property laws and revamp enforcement,...

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HOW MUCH IS ENOUGH?
Alfred Steiner MEISTER & STEINER PLLC

The author conducted an experiment to determine where the United States Copyright Office draws the line between copyrightable pictorial works and pictorial works that lack sufficient creativity to merit registration. This article describes the experiment and its results and reproduces the ten works used to conduc...

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COPYRIGHT DOCTRINE BEFORE THE TRIBUNAL OF SCIENCE: A RESPONSE TO PROFESSOR SILBEY
Matt Blaskczyk Research Fellow in the Law and Mobility Program, University of Michigan Law School; LL.M., Georgetown University Law Center; LL.B., King’s College London.
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FAIR USE OF SOFTWARE NECESSARY TO REPAIR, MAINTAIN, OR DISAGNOSE A DEVICE OR SYSTEM

Fair use analyses of software needed for the diagnosis, maintenance, or repair of software-based devices or systems has often focused on whether the use is transformative use, and not whether the use is fair use because the use essentially is only for obtaining uncopyrightable data, information or ideas. This art...

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NEW TECHNOLOGY/NEW COPYRIGHT POLICY: THANKS TO THE "BALANCE" DISCOURSE?
Lokesh Vyas Ph.D. candidate, SciencesPo, Paris.

Is copyright law a naked emperor whose garments are shed every few years or decades when a new technology comes into the market? From printing presses to generative AI, history reveals a recurring impulse to adjust copyright law with new technological advancements. Does technology strip copyright bare, or is this...

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