Browse Issues Search Articles Submissions About the Journal Copyright Fixation Podcast Subscribe Volume 69 Issue 3 Select Volume... Volume 73 Volume 71 Volume 70 Volume 69 Volume 68 Volume 67 Volume 66 Volume 65 Volume 64 Volume 63 Volume 62 Volume 61 Volume 60 Volume 59 Volume 58 Volume 55 Volume 54 Volume 53 Volume 52 Volume 51 Volume 50 Volume 48 Volume 47 Volume 46 Volume 45 Volume 44 Volume 43 Volume 42 Volume 41 Volume 40 Volume 39 Volume 38 Volume 37 Volume 36 Volume 35 Volume 34 Volume 33 Volume 32 Volume 31 Volume 30 Volume 29 Volume 28 Volume 27 Volume 26 Volume 25 Volume 24 Volume 23 Volume 22 Volume 21 Volume 20 Volume 19 Volume 18 Volume 17 Volume 16 Volume 15 Volume 14 Volume 13 Volume 12 Volume 11 Volume 10 Volume 09 Volume 08 Volume 07 Volume 06 Volume 05 Volume 04 Volume 03 Volume 02 Volume 01 Issue 4 with Copyright + Technology Conference 2025 Issue 3: Special Issue: Libraries and Collections Issue 2: Copyright and AI, Part 2 Issue 1 Select Issue... Editor's Note I am pleased for the Journal to offer our readers three marvelous articles in issue 69:3. Our first article is Rebecca Curtin’s The Art (History) of Bleistein. As our readers know, Bleistein v. Donaldson Lithographic Co. is one of the most famous and influential of all copyright cases. Among other things, the opinion is known for Justice Holmes admonition that, “It would be a dangerous undertaking for persons trained only to the law to constitute themselves final judges of the worth of pictorial illustrations, outside of the narrowest and most obvious limits.” Countless judges have tried to avoid making aesthetic determinations, with uneven success at best. Indeed, one cannot read Bleistein without sensing Holmes’ willingness to make definitive statements about art, even if his views about art might be considered controversial. In her Article, Professor Curtin adds new light to Holmes’ understanding of art by considering the influence of his wife, Fanny Bow- ditch Dixwell Holmes. The result is a fascinating perspective about how this famous opinion took shape. Our second article is Timothy McFarlin’s A Copyright Ignored: Mark Twain, Mary Ann Cord, and the Meaning of Authorship. This article considers the provocative possibility that Mark Twain and the Atlantic infringed the common law copyright of Mary Ann Cord, a formerly enslaved person. Ms. Cord orally recounted her remarkable life story to Mr. Twain, who based his manuscript “A True Story, Repeated Word for Word as I Heard It.” The manuscript was then published by Atlantic Monthly. Professor McFarlin takes on a most interesting legal analysis of the possibilities. In doing so, he reminds us about the complicated history and creative debts that exist within some of our country’s greatest art and literature. Our third article is Zvi Rosen’s Examining Copyright. Professor Rosen offers us new insights about the process of copyright examination by examining its history. In so doing, he helps us understand the complexities and challenges of a process that many experience as simple or automatic. The insights gained are particularly valuable to members of the Copyright Society, and it’s the kind of article that belongs in this Journal. As always, I welcome comments from our readers. Alfred C. Yen Professor of Law and Dean’s Distinguished Scholar Boston College Law School alfred.yen@bc.edu Articles Journal December 16, 2024 THE ART (HISTORY) OF BLEISTEIN cpy_69-3 The Art (History) of BleisteinDownload Journal December 16, 2024 A COPYRIGHT IGNORED: MARK TWAIN, MARY ANN CORD, AND THE MEANING OF AUTHORSHIP cpy_69-3 Copyright IgnoredDownload AI & Copyright Creativity & Technology Collide Journal December 16, 2024 EXAMINING COPYRIGHT cpy_69-3 Examining CopyrightDownload Foundational Copyright Ideas Journal December 16, 2024 ADMINISTRATIVE DEVELOPMENTS cpy_69-3 administrative developmentsDownload Related Content Event Jan 7 Copyright and Immersive Experiences: Navigating Registration Challenges at the U.S. Copyright Office Immersive media experiences blend technology, interactivity, and creative expression in ways that challenge traditional copyright registration practice. This panel will… Live CLE Credit Foundational Copyright Ideas Video Nov 4, 2025 Bartz and Beyond: Year Three of AI Copyright Litigation with Implications for Authors, Publishers, and Creators Now in the third year of copyright litigation over generative AI, the stakes for creators, platforms, and the publishing world… CLE Credit AI & Copyright Copyright Litigation in Focus Creativity & Technology Collide