Granted annually to recognize the best writing by a young lawyer published in the Journal of the Copyright Society of the U.S.A., the Seton Award honors Charles B. Seton (1910-2005), one of the founding members of the Society. To qualify, the article must have been written prior to the author’s 40th birthday. The Seton Award includes a financial prize.
PAST RECIPIENTS:
Vol | Iss | First | Last | Article | Short Citation |
64 | Coming Soon! | ||||
63 | 3 | Jeremy | de Beer | Canada’s Copyright Tariff-Setting Process: An Empirical Review | 45 J. Copyright Soc’y U.S. 546 (1998) |
62 | 2 | Sofia | Ritala | How Should the American First-Sale Doctrine Be Developed in Light of New Digital Distribution Technologies for Copyrighted Works? | |
61 | 4 | Barbara | Lauriat | Free Trade in Books: The 1878 Royal Commission on Copyright | |
60 | 2 | Rebecca | Tushnet | Performance Anxiety: Copyright Embodied and Disembodied | |
59 | 2 | Zvi | Rosen | Reimagining Bleistein: Copyright for Advertisements in Historical Perspective | |
58 | 2 | Brian | Lee Pelanda | Declarations of Cultural Independence: The Nationalistic Imperative Behind the Passage of Early American Copyright Laws, 1783-1787 | |
57 | 3 | Martin | Senftleben | Bridging the Differences Between Copyright’s Legal Tradition — The Emerging EC Fair Use Doctrine | |
56 | 2 | Stephanie | Berg | Remedying the Statutory Damages Remedy for Secondary Copyright Infringement Liability: Balancing Copyright and Innovation in the Digital Age | |
55 | 2 & 3 | Makeen F. | Makeen | The Protection of Cinematographic Works Under the Copyright Laws of Egypt and Lebanon | |
54 | 4 | Patrick | Masiyakurima | The Effectiveness of Judicial Licensing in Copyright Law | |
53 | 1 & 2 | Mark H. | Jaffe | Defusing the Time Bomb Once Again – Determining Authorship in a Sound Recording | |
52 | 3 | Daniel R. | Johnston | Debunking Fair Use Rights and Copyduty Under U.S. Copyright Law | |
51 | 1 | Catherine | Seville | Peter Pan’s Rights: “To Die Will Be and Awfully Big Adventure” | |
50 | 1 | Richard B. | Graves IIII | Globalization,Treaty Powers, and the Limits of the Intellectual Property Clause | |
49 | 4 | Daniel J. | Gervais | Feist Goes Global: A Comparative Analysis of the Notion of Originality in Copyright Law | |
48 | 1 & 2 | Eric D. | Leach | Everything You Always Wanted to Know About Digital Performance Rights But Were Afraid to Ask | |
47 | 1 | Ryan | Craig | The Development of Internet Education and the Role of Copyright Law | |
46 | 4 | Jeffrey | Wu | Art Resale Rights and the Art Resale Market: A Follow-up Study | |
45 | 4 | Tyler T. | Ochoa | Dr. Seuss, The Juice and Fair Use: How the Grinch Silenced a Parody | 45 J. Copyright Soc’y U.S. 546 (1998) |
45 | 1 | Scott | Glauberman | Citizen Suits Against States: The Exclusive Jurisdiction Dilemma | |
44 | 3 | Rebecca | Martin | The WIPO Performances and Phonograms Treaty: Will the U.S. Whistle a New Tune? | |
43 | 3 | Ira | Brandiss | Writing in Frost on a Window Pane: E-mail and Chatting on RAM and Copyright Fixation | |
42 | 3 | Jennifer | Hall | Blues and Public Domain: No More Dues to Pay? | |
41 | 3 | Robert | Cassler | Copyright Royalty Tribunal: Balancing the Record | |
40 | No qualifying articles | ||||
39 | 2 | Anthony | Nolan | Brave New World? Copyright Protection of Computer Programs in Germany and France in Light of the European Community Software Directive | |
38 | 1 | Shira | Perlmutter | The Scope of Copyright in Telephone Directories: Keep Listing Information in the Public Domain | |
34 | 2 | Andrea | Rush | The Canadian Copyright Appeal Board: In Retrospect and In Revision |